Robert Nighthawk - 2004 - Prowling With The Nighthawk [mp3@320]


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Robert Nighthawk - 2004 - Prowling With The Nighthawk [mp3@320]
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Torrent File Content (31 files)


Robert Nighthawk - 2004 - Prowling With The Nighthawk [mp3@320]
     01 - Tough Luck.mp3 -
7.49 MB

     02 - Six Three O.mp3 -
6.76 MB

     03 - Take It Easy Baby.mp3 -
6.13 MB

     04 - Lonesome World.mp3 -
6.32 MB

     05 - Friar's Point Blues.mp3 -
6.82 MB

     06 - Ol Mose.mp3 -
7.87 MB

     07 - Sweet Pepper Mama.mp3 -
6.63 MB

     08 - Return Mail Blues.mp3 -
7.61 MB

     09 - My Friend Has Forsaken Me.mp3 -
7.55 MB

     10 - G-Man.mp3 -
6.29 MB

     11 - Every Day and Night.mp3 -
7.97 MB

     12 - The Moon Is Rising.mp3 -
6.44 MB

     13 - Kansas City Blues.mp3 -
6.27 MB

     14 - Crying Won't Help You.mp3 -
7.78 MB

     15 - CNA.mp3 -
7.85 MB

     16 - Black Angel Blues.mp3 -
7.21 MB

     17 - My Sweet Lovin' Woman.mp3 -
6.8 MB

     18 - Don't Mistreat Your Woman.mp3 -
5.98 MB

     19 - Maggie Campbell -1.mp3 -
6.68 MB

     20 - Prowling Nighthawk.mp3 -
7.44 MB

     21 - Jackson Town Girl.mp3 -
6.74 MB

     22 - Feel So Bad.mp3 -
6.55 MB

     23 - Mamie Lee.mp3 -
7.43 MB

     24 - Freight Train Blues.mp3 -
7.51 MB

     25 - Take It Easy Baby.mp3 -
6.4 MB

     26 - Annie Lee Blues.mp3 -
7.47 MB

    Art
          Back.jpg -
338.56 KB

          Front.jpg -
344.28 KB

     Play - Prowling With The Nighthawk.m3u -
693 bytes

     Robert Nighthawk - 2004 - Prowling With The Nighthawk [mp3@320].txt -
6.56 KB

    Tech
          Robert Nighthawk - Prowling With The Nighthawk.log -
9.81 KB



Description



 							image
Ripped from original CD with Exact Audio Copy.
Art & Rip log included. All tracks are Properly tagged with art embedded in tag.



Robert Nighthawk - 2004

Prowling With The Nighthawk [mp3@320]



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Robert Nighthawk

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Robert Nighthawk at Elis Place 1964

Wikipedia:
Robert Lee McCollum (November 30, 1909 – November 5, 1967) was an American blues musician who played and recorded under the pseudonyms Robert Lee McCoy and Robert Nighthawk. He was the father of the blues musician Sam Carr.
Born in Helena, Arkansas, he left home at an early age to become a busking musician. After a period wandering through southern Mississippi, he settled for a time in Memphis, Tennessee, where he played with local orchestras and musicians, such as the Memphis Jug Band. A particular influence during this period was Houston Stackhouse, from whom he learned to play slide guitar and with whom he performed on the radio in Jackson, Mississippi.
After further travels through Mississippi, he found it advisable to take his mother's name and, as Robert Lee McCoy, moved to St. Louis, Missouri, in the mid-1930s. Local musicians with whom he played included Henry Townsend, Big Joe Williams, and Sonny Boy Williamson. This led to two recording dates in 1937, the four musicians recording together at the Victor Records studio in Aurora, Illinois, as well as recordings under his own name, including "Prowling Night-Hawk" (recorded 5 May 1937), from which he was to take his later pseudonym. These sessions led to Chicago blues careers for the other musicians, though not for McCoy, who continued his rambling life, playing and recording (for Victor/Bluebird Records and Decca Records) solo and with various other musicians, under various names. Kansas City Red was his drummer from the early 1940s to around 1946. He recorded Kansas City Red’s song "The Moon Is Rising".
McCoy became a familiar voice on local radio stations. Then Robert Lee McCoy disappeared. Within a few years, he resurfaced as the electric slide guitarist Robert Nighthawk and began recording for Aristocrat and Chess Records, the latter of which was also Muddy Waters's label. In 1949 and 1950, the two men's styles were close enough that they were in competition for promotional activity. Waters was the more marketable commodity, being more reliable and a more confident stage communicator, and thus received the attention. Nighthawk continued to perform and record, taking up with United Records and States Records 1951 and 1952, but did not achieve great commercial success.
In 1963, Nighthawk was rediscovered busking in Chicago, and this led to further recording sessions and club dates and to his return to Arkansas, where he performed on the radio program King Biscuit Time, on KFFA. He continued giving live performances on Chicago's Maxwell Street until 1964.
He had a stroke followed by a heart attack and died of heart failure at his home in Helena. He is buried in Magnolia Cemetery, in Helena.



Prowling With The Nighthawk

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Artist: Robert Nighthawk
Title: Prowling With The Nighthawk
Producer: Gary Atkinson
Format: CD, Compilation, Remastered
Digital Remastering: Alan Taylor
Country: UK
Release Date: 2004
Recording Date: May, 1937 - October, 1952
Label: Document Records Ltd.
Catalog: DOCD-32-20-6
Genre: Blues, Chicago Blues, Slide Guitar Blues, Piano Blues
Duration: 77:30

AllMusic Review by Sean Westergaard:
Robert Nighthawk's restless, itinerant spirit led to great gaps in his recording career, and as a result, he's not nearly as well known as he should be. He learned guitar from Houston Stackhouse, knew Peetie Wheatstraw, was playing with Sonny Boy Williamson and Big Joe Williams in the '30s, and has even been credited with teaching Muddy Waters how to play slide, yet his name is probably unknown to most casual blues fans. Another problem is that previous Nighthawk recordings tended to focus on a specific recording session or label affiliation, so mainly only blues scholars and fanatics understood what a pivotal personality Robert Nighthawk was to the development of electric blues from the acoustic Delta sounds. Prowling With the Nighthawk is the first major overview of Nighthawk and his various performing aliases, covering a 15-year time span and recordings on several different labels. Chronologically, these recordings start out in the Mississippi Delta (though they were all recorded in Illinois) with acoustic guitars and harmonica, then start to move into modern blues territory when Nighthawk electrified his guitar in the early '40s and began to develop his signature style of slide playing. The most recent recordings, dating to the early '50s, add a full rhythm section and even approach the sound of rock & roll on a couple cuts. Rather than present it chronologically, however, the folks at Document made the decision to program this as an album rather than a scholarly review of singles. So while the sound quality jumps around a bit (and this is the best most of this material has ever sounded), the variety of material from different times ultimately makes for a better listen than presenting each session in order. Once you've heard Nighthawk's mature slide style, there's no mistaking it for anyone else, and it's quite interesting to trace his development as a player over time, from the acoustic forays of the '30s to the fantastic electrified solo on "Return Mail Blues" in the late '40s. Despite his lack of name recognition, Robert Nighthawk was one of the greats, and Prowling With the Nighthawk is a great collection of some truly vital material.



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01 - Tough Luck [3:11]
02 - Six Three O [2:52]
03 - Take It Easy Baby [2:36]
04 - Lonesome World [2:40]
05 - Friar's Point Blues [2:54]
06 - Ol Mose [3:21]
07 - Sweet Pepper Mama [2:49]
08 - Return Mail Blues [3:14]
09 - My Friend Has Forsaken Me [3:13]
10 - G-Man [2:40]
11 - Every Day And Night [3:24]
12 - The Moon Is Rising [2:44]
13 - Kansas City Blues [2:39]
14 - Crying Won't Help You [3:19]
15 - Cna [3:21]
16 - Black Angel Blues [3:04]
17 - My Sweet Lovin' Woman [2:53]
18 - Don't Mistreat Your Woman [2:32]
19 - Maggie Campbell -1 [2:50]
20 - Prowling Nighthawk [3:10]
21 - Jackson Town Girl [2:51]
22 - Feel So Bad [2:47]
23 - Mamie Lee [3:10]
24 - Freight Train Blues [3:12]
25 - Take It Easy Baby [2:43]
26 - Annie Lee Blues [3:11]



Personnel:

Bass – Ransom Knowling (tracks: 12 to 14, 19, 22, 25), Willie Dixon (tracks: 2, 8, 16, 17, 21, 26)
Drums [Probably] – Jump Jackson (tracks: 13, 14, 22, 25)
Guitar – Joe Williams (tracks: 1, 3, 4, 7, 9, 10, 15, 18, 20, 23)
Harmonica – Sonny Boy Williamson (tracks: 1, 3, 4, 6, 7, 9 to 11, 15, 18, 20, 23, 24)
Piano – Ernest Lane (tracks: 8, 16, 17)
Piano [Possibly] – Bob Call (tracks: 13, 14, 22, 25), Roosevelt Sykes (tracks: 13, 14, 22, 25)
Vocals, Guitar – Robert Lee McCoy



Note:
This is not my rip
My thanks to the original uploader



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